The table below shows the C lydian mode, ordered to show the 4th note as the first column in the table. Should each triad that we build be called major, minor, augmented, or diminished ? It is in upper case to denote that the chord is a major chord. For the 3rd Interval (note 2 on the diagram) the distance between B and D is 3 half-tones. The roman numeral for number 3 is 'iii' and is used to indicate this is the 3rd triad chord in the mode. It is in lower case to denote that the chord is a minor chord. The note interval name for the 3rd note / scale degree is therefore minor, also called m3 for short. The C lydian chord I is the C major chord, and contains the notes C, E, and G. This tonic chord's root / starting note is the 1st note (or scale degree) of the C lydian mode. Instead, iii could be followed by the letter b to indicate that it is E minor chord in 1st inversion - C lydian mode chord iiib. The note interval name for the 3rd note / scale degree is therefore major, also called M3 for short. In a later step, if sharp or flat notes are used, the exact accidental names will be chosen. It works for any genre, but especially well for EDM, hip hop, modern pop, trance, trap, drum and bass, and chill productions. Finally, letter c could be used to indicate that it is A minor chord in 2nd inversion - C lydian mode chord vic. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols vii: So in this key, vii6 refers to the B minor chord in 1st inversion, and vii64 refers to the B minor chord in 2nd inversion. With the chords of the Scale Chords project, you can create nice chord progressions easily. For the 3rd Interval (note 2 on the diagram) the distance between C and E is 4 half-tones. This step shows the white and black note names on a piano keyboard so that the note names are familiar for later steps, and to show that the note names start repeating themselves after 12 notes. To decide the name the chord quality, each step below will use note intervals to calculate how many half-tones / semitones / piano keys between the root and the 3rd (and 5th). Finally, letter c could be used to indicate that it is C major chord in 2nd inversion - C lydian mode chord Ic. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols vi: So in this key, vi6 refers to the A minor chord in 1st inversion, and vi64 refers to the A minor chord in 2nd inversion. The C lydian chord iii is the E minor chord, and contains the notes E, G, and B. The table below shows the C lydian mode, ordered to show the 6th note as the first column in the table. C Lydian scale for guitar. Finally, letter c could be used to indicate that it is G major chord in 2nd inversion - C lydian mode chord Vc. To do this, the first column we used in this step, C, will be moved to the final column of the table. And so the complete triad chord name prefixes the root note, B, onto this quality, giving us the B minor chord. This step shows the mode note names that will be used to construct all triad chords that harmonize with those mode notes. Repeating this for the 5th note / scale degree, the distance between F# and C is 6 half-tones, and the note interval name is diminished (d5). The following chords are the most important four note chords of this scale: Cmaj7 (I7): C-3, E-3, G-3, B-3 Ddom7 (II7): D-3, F#3, A-3, C-4 Emin7 (iii7): E-3, G-3, B-3, D-4 F#min7b5 (ivø7): F#3, A-3, C-4, E-4 Gmaj7 (V7): G-3, B-3, D-4, F#4 Amin7 (vi7): A-3, C-4, E-4, G-4 Bmin7 (vii7): B-3, D-4, F#4, A-4 To do this, the first column we used in this step, G, will be moved to the final column of the table. The roman numeral for number 2 is 'II' and is used to indicate this is the 2nd triad chord in the mode. The C lydian chord ivo is the F# diminished chord, and contains the notes F#, A, and C. This subdominant chord's root / starting note is the 4th note (or scale degree) of the C lydian mode. Instead, vi could be followed by the letter b to indicate that it is A minor chord in 1st inversion - C lydian mode chord vib. the 1st, 3rd and 5th positions relative to that 2nd root note.

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