Learn More. The Fender Jazz Bass is the archetype for the electric bass guitar. Series American Ultra (1) Orientation Right-Hand (1) Woods Fingerboard Material Body Material Neck Shape D Shape Our Sales Engineers are a world-class team of music gear experts whose sole job is to provide you with helpful advice and unparalleled service completely free of charge. June 20, 2019 “A Kinal Magic” Kinal Kompact S. June 9, 2017. The fingerboard features a compound radius, 10”-14” (254 mm to 355.6mm). Some of the bass heads we used included an EBS HD360 and a Mesa/Boogie Carbine stack with Mesa 4x10 and 2x12 cabs. Learn more about Fender electric basses. From stage to studio, nobody ever got fired for playing a Jazz bass, and in the short amount of time we’ve used this one in both scenarios, the instrument has been called back for additional studio sessions. Search. See how Sweetwater goes to great lengths to give you the very best online guitar buying experience. The contoured offset alder body balances beautifully and always feels just right; while the fast, comfortable Modern D neck profile, compound-radius fingerboard, and tapered neck heel turbocharge your playing. Amazing-sounding Fender Ultra Noiseless Vintage Jazz Bass pickups and active 3-band electronics complete the setup. This instrument boasts an easy-playing 10"–14" compound-radius fingerboard with 21 medium-jumbo frets that’s perfect for grooving down low and soloing up high; while rolled and bound fingerboard edges supply endless hours of playing comfort. Traditionally Fender Jazz basses had one control for each pickup, so the single knob was much more accessible in live settings to change our tone. The noiseless vintage Jazz pickups and the 18-volt Active/Passive preamp deliver some outstanding tone quality. The voice options for this bass cover a wide range of musical styles that a professional bass player might run into. As one of the world's largest Fender dealers - with thousands of products in stock at all times - we're always getting our hands on their latest guitars, basses, and amps. While its all-maple construction and eye-catching Fender headstock logo look standard enough, run up the fingerboard and you’ll know there’s a lot more going on. The attention to detail warrants the price tag—which is still positioned below many other bass makers’ boutique Jazz … ... American Ultra Jazz Bass® V. $2,099.99 3 colors Spend over $50, Get $20 2-Day Shipping! It’s obvious Fender has spent a lot of time in R&D for the American Ultra Jazz. The tuning machines are Fender “F” lightweight, vintage, paddled, keys. The Vintage controls are a master volume, a pan pot (pans between the neck and bridge pickups); the bass and treble Boost/Cut are stacked controls, notched, and each adds or subtracts 10db. Related Posts. The strings spacing is wide enough that slapping and popping was effortless. Whether it’s rock, funk, blues, country, or fusion; the Fender American Ultra Jazz Bass V has you covered. Fender American Ultra Jazz Bass V - Ultraburst with Rosewood Fingerboard, Music background: My wife would tell you she married the Bass Player, American Ultra Jazz Bass V - Ultraburst with Rosewood Fingerboard, Bolt-on maple neck, Modern D profile, Ultra; Satin finish with gloss headstock, Bound rosewood fingerboard, compound 10"–14" radius, block inlays, 34" scale length; 1.875" bone nut; 21 medium-jumbo frets, Fender Light-Weight tapered Vintage Paddle tuners, 2 Fender Ultra Noiseless Vintage Jazz Bass pickups with preamp, Bass, Mid, Treble, and Passive Tone controls, Vintage 4-saddle Vintage topload HiMass bridge, Fender lightweight tapered Vintage Paddle tuners, Single-action truss rod, neck heel access, 1 x master volume, 1 x pan, 1 x stacked treble/bass, 1 x stacked midrange/tone, 1 x mini toggle active/passive switch. So, what do these American Ultra iterations offer that you haven’t seen before? We played the Fender Ultra Jazz Bass V extensively in a variety of settings all over New Jersey and New York City. But play a few notes and you’ll quickly realize that this is a state-of-the-art, high-performance axe. When not regularly booked with his wedding band, you'll probably finding him playing on various cover band sub gigs, running lights for a show, or mixing front-of-house sound. Premium protection. Learn more about Fender electric basses. Changing strings is very straightforward with the top-loaded HiMass Bridge and the Fender “F” style Vintage paddle keys, which have tampered shafts. We wish all of our five-string basses had this feature! Even with all of the hardware on the headstock, and weighing in at 10 pounds, the Ultra Jazz-5 was still a very well-balanced bass. This item requires extra delivery time from Fender. We played one venue that is notorious for having “dirty” power. The famously fast, slender neck on the American Ultra Jazz Bass V sports Fender’s Modern D profile, which, along with its super-slick Ultra Satin finish, enables enhanced maneuverability. They also welcome the debut of the HiMass bridge and onboard preamps have been redesigned with a three-band boost/cut EQ … When we were at the 2020 Winter NAMM Show this year, we played all of the new Fender Ultra basses and came away extremely impressed. The maple neck has a satin urethane finish with a black neck binding. Exclusive deals, delivered straight to your inbox. The controls were pretty standard for a bass with a high-end pre-amp. There was a little hum coming through the bass amp that was killed by deactivating the active switch and going to passive. Vic Serbe. We actually raised the action of the strings to better suit our style of play! Compare. Reverb is a marketplace bringing together a wide-spanning community to buy, sell, and discuss all things music gear. We were able to get any classic Jazz bass sounds from this bass, like Jaco Pastorius, Geddy Lee, Marcus Miller, and Adam Clayton, but without noise. Here’s the trick to doing it: first you push the open tab “in” to release the batteries, then on the same tab, push the open tab away from you, lift it up to open the top and take the batteries out.

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