This tune is most commonly played in Eb major. I'm Ron Drotos and I'm passionate about teaching all forms of piano improv including jazz, rock, blues, pop, & even classical improvisation. Click HERE to begin my well-sequenced, step-by-step video course, or email me at rondrotos@keyboardimprov.com for Skype piano lessons. He's also the host of the music entrepreneurship podcast "Passive Income Musician.". Studying the relationship between the melody and each chord can take you along way towards understanding and assimilating the bebop language. Musical ideas and jazz piano practice tips: on a Sunday afternoon D Em D Em Really . © Copyright 2018 - Learn Jazz Standards, LLC. You can learn the bebop language by learning and carefully analyzing the melody to “Groovin’ High.” It begins with 2 simple chord tones, in the opening Eb chord. But they’re played quickly, and sound like “be-bop… be-bop!” Then, notice how Dizzy outlines the Am chord with an ascending arpeggio but then gets “chromatic,” touching upon the A-G#-G-F# guide-tone line within the context of the descending figure. Like the tune Indiana, Whispering is another traditional tune that is more recognized for it’s reharmonization by Dizzy Gillespie: Groovin’ High. Be sure to learn the four bar intro from the original recording! My own journey has taken me to Carnegie Hall, Broadway shows including Smokey Joe's Cafe and Swinging On A Star, and NYC's Blue Note jazz club, and now I'm sharing this experience with piano students worldwide. Save my name, email, and website in this browser for the next time I comment. Jazz Piano Video Course The chord changes are based off of Paul Whiteman’s composition Whispering. Hi! Personal guidance from an expert, caring teacher. Here are some recommended recordings/videos: This will give you a better feel for the bebop rhythmic feel than any textbook could ever provide. JazzStandards.com: The premier site for the history and analysis of the standards jazz musicians play the most. He is the head blogger and podcast host for learnjazzstandards.com which he owns and operates. He actively performs around the New York metropolitan area and is the author of the Hal Leonard publication "Visual Improvisation for Jazz Guitar." While this was a hit for Paul Whiteman, he was not the composer…Lyrics by Malvin Sconberger, music by John Sconberger. Dizzy composed the tune in 1944, basing it on the chords to the 1920 popular song “Whispering” (also in The Real Book). Later, there’s some nice outlining of the chords during the first ending that can also serve as a model for improvisation. After performing at Carnegie Hall, for Broadway shows, and at NYC's Blue Note jazz club, I'm now dedicating myself to teaching piano students all over the world how to improvise with a new sense of joy and fluency. Writing new melodies over existing chord changes was a common practice at that time. . Previous Song           Table of Contents           Next Song, Learn the 5 Essential Left Hand Techniques with my free ebook: Left Hand Techniques for Jazz Piano It perfectly connects the Am7 to the D7 chord, while providing a bit of bebop-style unpredictability at the same time. I also recommend that you sing the melody, using scat-syllables (just use whatever sounds come naturally for you). Chord changes of solo: A1 : || Ebj7 | Ebj7 | Am7b5 | D7 | Ebj7 | Ebj7 | Gm7b5 | C7 | F7 | F7 | F - 7 | Bb7 | G - 7 | F #-7 |F-7 |Bb7 || A2 : || Ebj7 | Ebj7 | Am7b5 | D7 | Ebj7 | Ebj7 | Gm7b5 | C7 | F7 | F7 | F - 7 | Bb7 | F - 7 | Ab - 7 Db7 | Eb6 | F - 7 Bb7 || In the first four bars, the progression moves from the I chord to the VII7 chord, which is not encountered all that often. The chord changes are based off of Paul Whiteman’s composition Whispering. (Charlie Parker’s famous tune “Koko” came about because the producer wouldn’t let the musicians play the melody to “Cherokee” in the recording studio!). Unlike many other small group recordings, there’s an introduction, planned solo breaks, and an written ending. 10 Ways To Learn Bebop Piano, Groovin' High: JourneyThrough The Real Book #141, How To Learn Jazz Piano You’ll also notice extra bars at the end of the form from the original arrangement leading to a key change (during the head). You have entered an incorrect email address! “Groovin’ High” is an early bebop classic by trumpeter Dizzy Gillespie. You'll also get my weekly jazz newsletter with practice tips and inspiration. This extensive, well-sequenced video course will get you playing jazz standards with a sense of flow and fluency. If you want to ignite your jazz skills with 10 in-depth studies of jazz standards that will help you take your jazz harmony knowledge to the next level, join our LJS Inner Circle membership, where you'll get access to our "Jazz Standards Playbook" courses, monthly jazz standard studies, and all of our premium courses. “Groovin’ High” is an early bebop classic by trumpeter Dizzy Gillespie. A Guide To Help You Play Better Jazz Piano, History and overview: . Please email me at rondrotos@keyboardimprov.com if you're interested in Skype lessons. you should tune your guitar down a note but it sounds good in standard tuning as well (jus get your bass player to play a note down) Chords: Eadgbe D 000232 Em 022000 F#m 244222 G 355433 A 577655 [Intro] D Em D Em [Verse 1] D Em D Em Groovin' . Learn how your comment data is processed. Listen to Gillespie’s original recording, which I’ve linked to below. Groovin’ High (from The Jazz Pianist’s Ultimate Guide To The Real Book). A podcast to help you learn jazz piano more effectively. This site uses Akismet to reduce spam. The rendition Charlie Parker has, is one of the most famous Charlie Parker recordings with Dizzie Gillespie, one of the world’s most famous trumpet players. Enjoy the journey, and “let the music flow!”, Further links and resources: Beginning through Advanced. "Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie.The song was a bebop mainstay that became a jazz standard, one of Gillespie's best known hits, and, according to Bebop: The Music and Its Players author Thomas Owens, "the first famous bebop recording". Writing new melodies over existing chord changes was a common practice at that time. Singing Gillespie’s trumpet solo, along with Charlie Parker’s alto sax improvisation, will also help you learn this style. Getting this tune down is a great preliminary step to learning Groovin’ High. . Be sure to learn the four bar intro from the original recording! Click HERE to get started with my video course along with my personal guidance. Jazz musicians wanted to improvise over familiar chord progressions but record producers didn’t want to play royalties on the older songs, so this was a good solution for all involved. Groovin High - Charlie Parker, Dizzy Gillespie, Groovin' High - Phil Woods, Frank Wess, Jon Faddis & BJO, Cannonball Adderley Groovin' High Things Are Getting Better 1958, Brent Vaartstra is a professional jazz guitarist and educator living in New York City. (for international readers who may not have access to these YouTube links, I’ve indicated the original album names wherever possible so you can listen to them on music streaming services, etc.). Jazz Piano Lessons via Skype The result is a masterpiece. I'll show you how to play with a new sense of joy and fluency! Groovin’ High was written by the great trumpeter Dizzy Gillespie in 1945. This is sometimes played, but most often in a jam session situation is ignored. Groovin High, originally written by Charlie Parker and Dizzie Gillespie is one of those jazz standards that everyone definitely knows, but doesn’t necessarily know the name of. You’ll also notice extra bars at the end of the form from the original arrangement leading to a key change (during the head). Groovin’ High was written by the great trumpeter Dizzy Gillespie in 1945. Dizzy composed the tune in 1944, basing it on the chords to the 1920 popular song “Whispering” (also in The Real Book). . As a piano teacher, I 'll share with you what I learned from my own piano teachers, including jazz legend Billy Taylor. This is from one of the first bebop recording sessions, and Dizzy’s well-organized approach can be heard in the clean sound of the ensemble, as well as in the carefully-constructed arrangement. After all, this is how they themselves learned to play!

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