Spot the similarities? I’m using the opportunity to look at the similarities and differences between a couple of different products from different manufacturers with a view to considering how to choose a mic, not which of the two comes-out on top. Microphone Shootout - Sennheiser Mk4 vs Rhode NTK vs Royer Ribbon by RussW8 published on 2012-10-31T06:06:21Z Hey there, I have decided there is not enough shootouts of any quality online … Rode NT2a Questions . Andi Picker helpsyou select a perfect all-rounder.First things first, although this feature includes two microphones, don’t expect a “shootout” format and don’t expect a “winner”. The only thing people seem to be able to find wrong with it is the price, but as the old adage goes, “ You get what you pay for”. Like, an arm and a leg and maybe a kidney expensive. Another plus if you are setting up your studio, is that the NT1 comes with an integrated shock mount and pop-shield, so you don’t have to go shopping around for extra bits. It’s all right here. Rode NT1A vs. NT2A | CLEAR WINNER! i also noticed the sennheiser mk4 has a moderately similar response to the nt2a … First up is this little number from Blue Microphones. Many top level mics have fairly neutral characters, they don’t make things exciting (that’s your job), they just add a slight flavour to lots of different sources and respond well to good mic techniques, and that’s rarely what we expect. January 10, 2016. You wouldn’t send a fireman to work without a top quality hose. Both recommended. The microphone itself is a fairly traditional looking unit of just over 300g with a satin finish on a fairly narrow body and has a dual-layer basket protecting the capsule, and I noticed that the earth pin on the XLR socket on the base is elongated to make sure that the earth connection makes first and breaks last which helps to protect the mic electronics against static. Home Microphone Comparisons Rode NT1A vs. NT2A | CLEAR WINNER! While the first three are in the same price range (around $300) and therefore can be considered direct competitors, the Rode NTG3 was a higher-end unit priced at around $700. January 10, 2016. Updated 9/6/19. Well, fear not, you perfectly sculpted Channing’s of the voiceover world – we are here to help with a list of some of our favourite voiceover microphones. It’s wider and shorter than the Rode and weighs-in at just under 500g. Sort: Clear All. Both worked well on acoustic guitar, with the Rode a little warmer, the Sennheiser a little clearer. Audio-Technica bill this mic as “warm and smooth”, and a quick look at reviews online will tell you that they aren’t lying. Don’t be in any doubt, the AT4047 is a professional grade voiceover microphone, and that’s why you’ll pay a bit more for this one over some of the others in the list. Sennheiser is best known for their dynamic microphones, but that doesn't mean they don't make great condensers! No EQ needed - brilliant. I’m really not a singer at all and the process is quite painful - the results more so. A little tidbit for you when considering this microphone – Sennheiser also own Neumann (spoiler alert, see #1). So i just bought a rode NT2a. Now, what you are buying here is not a Neumann, and the price reflects that, but the MK4’s diaphragm capsule was designed by the same team behind the industry-pinnacle U87, so you can be sure as shucks it’s going to be a good one. This, is the ultimate “Magic” Mic. The Mk4 sound strikes me as being slightly “Hi-Fi-real”, and responds very well to position and EQ on just about anything. The crucial microphone question is “what do I want to do with this mic?” Do you want it for a specific job or do you want one that will handle lots of different tasks well? If you want a mic to do lots of different jobs, then pick one that avoids extreme “sound sculpting”. Take a look at the response curves of a dozen different microphones and you’ll see more similarities than differences, but listen to them and they may sound very different. Warranty is 2 years. Say you record drums from a software kit, DI your bass and guitar, and the only thing you need to record live is vocals. It’s wider and shorter than the Rode and weighs-in at just under 500g. The U87 will get you the closest sound to the source as possible, which is fantastic for producers to work with, and will get across all the subtleties in your glorious voice. Of course, just as every stripper has their speciality act, each voiceover artist has a different voice, and you will want to make sure you are picking up a mic that suits you. The limitations – It doesn’t have a pad, so if you are a boomer, you might want to stand back a bit, and it only has a cardoid pattern, but given that that’s what you’re after for VO work anyway, the limitations aren’t very limiting at all. In terms of sound quality, it is very close to Rode VideoMic Pro. Generally I like the sound of dynamic mics for this application, but in this case the Rode sounded fantastic from about 6” off the grill and a little off centre. It has switchable patterns, so you know it will be versatile, and should be able to handle your voice no matter your style. All rights Reserved. Home Microphone Comparisons Rode NT1A vs. NT2A | CLEAR WINNER! The Rode doesn’t include a lav mic in the box and while they suggest you purchase the Rode Smart Lav to accompany the kit, you can choose any mic you wish, including the ME 2 – II. Yes, you can get a good sounding recording out of it, but if you are a VO who works on the road a lot, or needs to be very portable with your studio space, then this could be the mic for you. Similarly, if you have a higher pitched “little voice” like Jane Horrocks, you will want a mic with a higher dynamic range. It might have had more in common with the K2 which I also did not like much. #1 – Sennheiser MK4 ($280/£205) The Sennheiser MK4 is our top recommendation for any working voice artist. read ... not familiar with double bass for classical. 1,976 word post, approx. Let’s take a quick look at why this matters before we start on the review units. It’s neutral, which is good – you don’t want it too boomy on the bass, or too scratchy on the high-end – and it’s not a particularly noisy mic either. It is more compact and portable, and it also has better build quality. We will start off by saying, yes, it is expensive. Put one mic in front of your singer, or your acoustic guitar, or your cab and it may give you “THE SOUND” that you’re chasing. On the other hand, it is quite a bulky piece of kit, and doesn’t come with a shock mount, so you will need to pick up one of those too unless you want to hear the rumbling of cars on the road outside, or your partners footsteps as they bring you a cup of tea. The Sennheiser kit comes with the stellar ME 2-II and I really like these microphones, they sound fantastic. We decided to evaluate a number of popular shotgun microphones and we came up with the following list: Sennheiser MKE 600, Audio Technica AT897, Rode NTG2 and Rode NTG3. A little tidbit for you when considering this microphone – Sennheiser also own Neumann (spoiler alert, see #1). 2020 © Copyright The Voice The Shock Mount is actually made very well and is a great improvement over the plastic ones Rode has shipped with their mics in the past. The Rode NT1-A is a true condenser mic featuring an internally shock-mounted 1” capsule with gold plated diaphragm, cardioid polar pattern and transformerless output circuitry. All-in-all, a great mic for a very reasonable price. And with the MK4, they're bringing their condenser to the project studio. The Rode is at the good end of what I think of as the “budget” mic market. Rode NT2-A is switchable between omni, figure of eight and cardioid patterns 5. Actually, scrap that, the Rode is at the very good end of the budget market. It is manufactured in Australia. Rode NT2-A Studio Condenser Microphone.

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